

Priscilla
Wife to the king. Icon to the world. Destined for more.
When teenage Priscilla Beaulieu meets Elvis Presley at a party, the man who is already a meteoric rock-and-roll superstar becomes someone entirely unexpected in private moments: a thrilling crush, an ally in loneliness, a vulnerable best friend.
Runtime
1h 53m
Language
EN
Budget
$20M
Revenue
$30.1M
Cast
Faces behind the story

Cailee Spaeny
Priscilla

Jacob Elordi
Elvis

Ari Cohen
Captain Beaulieu

Dagmara Dominczyk
Ann Beaulieu

Tim Post
Vernon Presley

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Gallery
Frames that sell the world






Reviews
Audience signals
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/priscilla-mini-review "Priscilla navigates the familiar territory of biographical storytelling, offering a nuanced exploration of Priscilla Presley's life. Cailee Spaeny's career-best performance skillfully delves into the complexities of a toxic relationship with Jacob Elordi's also convincing portrayal of Elvis. Sofia Coppola authentically captures Priscilla's struggles with love and fame, though it occasionally falls into a repetitive narrative. Still, in the end, Spaeny's compelling portrayal elevates the film so much that I definitely recommend it for fans of the genre and/or subject matter." Rating: B-
Just rather uninteresting, on film terms at least. It <em>is</em> interesting seeing the film portray a different type of version of Elvis Presley, one that is uncomfortable to watch unfold but one that ought to be told. That's where anything noteworthy I have to say about this release ends, though. As a movie, it's rather boring. I'm not convinced there's enough to be told across a full blown picture, at least not one around 1hr 45mins in length. I will say that Cailee Spaeny puts in a solid display as the titular character, in fairness. Jacob Elordi as Elvis, in my opinion, isn't a positive to be honest. If I didn't know he was playing Elvis I genuinely wouldn't have guessed he was playing the singer, aside from a few outfits and the twisty bit of hair in his fringe. Accent particularly seemed off to me too, Elordi amusingly (given the director's connection) sounds more like Nicolas Cage (c. 1997, <em>'<a href="https://letterboxd.com/film/con-air/" rel="nofollow">Con Air</a>'</em>, Cameron Poe) on phone call scenes. It's competently put together visually at least, though overall I can't honestly say this made a mark on me personally. I don't feel like I learnt anything about 'Priscilla' herself. I doubt I'll remember this one long term, sadly.
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