

The Beyond
Beyond death...Beyond Evil...Beyond the dreaded gates of hell.
New Yorker Liza Merril inherits an old hotel in Louisiana and invests her savings to reopen the place, unaware that the hotel houses the body of a dead painter murdered decades earlier, and that the location is about to become a gateway to Hell.
Runtime
1h 28m
Language
IT
Budget
$400K
Revenue
$123.8K
Cast
Faces behind the story

Catriona MacColl
Liza Merril

David Warbeck
John McCabe

Cinzia Monreale
Emily

Antoine Saint-John
Schweick

Veronica Lazăr
Martha

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Gallery
Frames that sell the world






Reviews
Audience signals
**_A New York woman inherits a cursed house outside of New Orleans_** This is southern gothic horror and the second in Lucio Fulci’s unofficial ‘gateways to hell’ trilogy, which all center around a portal to the underworld and include actress Catriona MacColl in three different roles (credited as Katherine MacColl). The first film was “City of the Living Dead” from the year prior, and the third one is “The House by the Cemetery,” which came out later the same year. They’re all self-contained. The gateway to hell in the basement element was ripped off from “The Amityville Horror” from two years earlier and “The Beyond” doesn’t hold up by comparison. “The Amityville Horror” was a huge hit for good reason. It took the time to develop several characters, and I don’t mean just the family members. Moreover, it has a warm heart and there’s light underneath the darkness. This one’s more surreal and uglier, naturally similar to Fulci’s previous “Zombie” and the aforementioned “City of the Living Dead.” His curious trademark of punctured eye sockets is on full display. Catriona MacColl has a face that’s easy on the eyes, but don’t expect anything more on the beauty front. In the masculine department, David Warbeck costars as the doctor or mortician. He brings to mind Roger Moore in the ’70s and was actually considered for the role of 007 before Moore took it. Even then, he signed a hush-hush contract to replace Roger at a moment’s notice if he quit or proved troublesome. I liked the artistic rural creepiness reminiscent of “The Shuttered Room” but, again, it suffers by comparison. Twenty-four years later “The Skeleton Key” took the same milieu, minus the portal to hell, and made a better film. Don’t get me wrong, there are some highlights in this flick, which make it worthwhile to fans of southern gothic horror, not to mention devotees of Fulci, many of whom tend to gush over it. It runs 1h 27m and shot from Oct-Dec 1980 in New Orleans and north of there, across Lake Pontchartrain in Madisonville, which is where the old boarding house is located. The causeway happens to be the Lake Pontchartrain Causeway, which is the longest continuous bridge over water in the world (24 miles). Studio stuff was done in Rome. GRADE: C
Recommendations
Films that continue this mood and momentum.

Hush... Hush, Sweet Charlotte
1964 / Horror, Mystery

The Hills Have Eyes
2006 / Horror, Thriller

The House by the Cemetery
1981 / Horror

The Texas Chain Saw Massacre
1974 / Horror

Mother's Day
2010 / Crime, Horror

The Evil Dead
1983 / Horror

Angel Heart
1987 / Horror, Mystery

V/H/S/2
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Haunt
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Hostel: Part II
2007 / Horror

City of the Living Dead
1980 / Horror, Fantasy

Night of the Living Dead
1990 / Horror

The Serpent and the Rainbow
1988 / Horror, Thriller

The Kindred
1987 / Horror, Science Fiction

Beyond the Darkness
1979 / Horror

Grindhouse
2007 / Thriller, Action

Nightmare Cinema
2018 / Horror

Saint Catherine
2024 / Horror

Zombie Flesh Eaters
1979 / Horror

Play Dead
2025 / Horror
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