

30 Days of Night
They're Coming!
This is the story of an isolated Alaskan town that is plunged into darkness for a month each year when the sun sinks below the horizon. As the last rays of light fade, the town is attacked by a bloodthirsty gang of vampires bent on an uninterrupted orgy of destruction. Only the small town's husband-and-wife Sheriff team stand between the survivors and certain destruction.
Runtime
1h 53m
Language
EN
Budget
$30M
Revenue
$80.3M
Cast
Faces behind the story

Josh Hartnett
Eben Oleson

Melissa George
Stella Oleson

Danny Huston
Marlow

Ben Foster
The Stranger

Mark Boone Junior
Beau Brower

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Gallery
Frames that sell the world






Reviews
Audience signals
**The following is a long form review that I originally wrote in 2010.** A new-age, brilliant vampire movie that never got the acclaim it rightfully deserved. _30 Days of Night_ is one of the few films I like that I can never understand why other people don’t. Though I do prefer other movies like _Revolver, Doomsday and Donnie Darko_ to it, with those I can always understand when people don’t see in them what I do. With _30 Days of Night_, if you don’t have a problem with gore, then you shouldn’t have a problem with the film. And yet I have personal friends as well as people I’ve heard from online who totally dig horror, gore, vampires etc. and yet don’t like _30 Days of Night_, which confuses me all to Hell, let me tell you. Though I was mildly aggravated by the inconstancies in the number of vampires around, other than that I can find virtually nothing bad to say about _30 Days of Night_. Firstly you have Josh Hartnett (_The Faculty_) as Sheriff Eben, protagonist, secondly you have Danny Huston (_The Proposition_) as Marlow, leader of the vampires, who attack Alaska during the winter period of 30 days without sun (which in and of itself is an awesome concept, and thirdly there’s Ben Foster (_Pandorum_) as the vampire’s human lapdog, all of whom are personal favourites of mine. That’s not even mentioning the fact that Eben’s wife is played by Australian Melissa George (_Triangle_), who was born in my hometown, so even if she wasn’t a great actor, she’d get auto-points. Basically every point in which _30 Days of Night_ differentiates from the comic it’s based on is an improvement to the story, which is (gasp, shock, horror) a mildly realistic Vampire film. God forbid. I love the vampires in this. Though they’re not quite as sexy and well-dressed as they are in _Underworld _or as demonic as they are in _Buffy the Vampire Slayer_, they bring a totally new brutality to the vampire class. They wear what you’d expect late 30-ish people living in 2007 to wear, they’re stronger than the average human, but not impossibly so, they hunt in packs and give off bloodcurdling, atavistic shrieks (of which I give quite a good impression; sidenote) they’re unrelenting an animalistic but just as intelligent as a regular person, they’re quick, dark and deadly. There’s no camp to be found here, not always a good thing, but in _30 Days of Night_, it is. I honestly cannot recommend this one enough, despite its intense gore and general panning, I implore you to at the very least give it a go, and decide for yourself. Both the human survivors and the vampire invaders are there simply trying to stay alive, the vamps through their sadistic, systematic hunting of the local populace for their food-source, blood, and the people by trying to both hide, and fight back, but mostly the former. Ironically, it’s the “humanity” of the humans that causes every one of their downfalls, while they’re leached from above by a far superior race, who goes so far as to call humans a “plague” and invent a new language all for themselves, just so as to not have to speak the same filthy way we lower-beings do (and I mean, if your choice was between that and having to put up with American-English, wouldn’t you?). 86% -_Gimly_
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