

Glass House: The Good Mother
A mother's love is unconditional.
One year after losing their son David, Eve Goode and her husband Raymond Goode adopt the orphan Ethan Snow (and his teenager sister Abby Snow and bring them to their mansion nearby a lake. Abby faces difficulties of adaptation in her new home, and she confronts Eve, who proves to be deranged and unstable. When Ethan gets sick, Abby tries to contact their friend, detective Ben Koch, and she realizes that her brother and she are trapped in the house.
Runtime
1h 34m
Language
EN
Budget
Undisclosed
Revenue
Undisclosed
Cast
Faces behind the story

Angie Harmon
Eve Goode

Joel Gretsch
Raymond Goode

Jordan Hinson
Abby Snow

Bobby Coleman
Ethan Snow

Jason London
Ben Koch

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Gallery
Frames that sell the world


Reviews
Audience signals
***An idyllic house (mansion) is not necessarily a home*** An orphaned teen girl (Jordan Hinson) & her little brother start a new life in remote Simi Valley, Ca, with their adoptive parents (Angie Harmon & Joel Gretsch), a seemingly-ideal couple who tragically lost their son a year earlier. Jason London is on hand as the kid’s acting-godfather. “Glass House: The Good Mother” (2006) naturally has a similar plot to the first film, but the kids are a little younger here and, as the title implies, the mother is now the key adversary. Being a direct-to-video release it lacks the budget of the first film with Leelee Sobieski and Stellan Skarsgård (2001) and therefore lacks the theatrical pizazz thereof, having a Lifetime movie vibe. As with that first movie, the awesome mansion itself is a highlight, located just a dozen miles north of the Glass manor used in the previous flick (in real-life). Unlike the first film, however, the actors are all no-names. Yet they rise to the challenge, especially Harmon as the increasingly not-good mother and Hinson as the formidable girl, who essentially becomes the “final girl” à la slasher flicks. Not that this is a horror movie, but there is that element. It’s more realistic than the conventional slasher, which typically involve some eye-rolling psycho wearing a mask and brandishing a machete, etc. Here, the diabolic individual is more every-day and perfectly harmless on the surface, which somehow makes it more chilling. The flick effectively addresses the mental illness factitious disorder imposed on another (FDIA), aka Munchausen syndrome by proxy (MSbP). These types of psychos actually exist, unfortunately. The film runs 1 hour, 34 minutes, and was shot in Simi Valley, Ca, with some stuff done in Hollywood. GRADE: C
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