The Woman King

The Woman King is a touching film that balances the dramatic tone with high octane action delivering a compelling experience. With a powerhouse cast, there is plenty of fantastic performances throughout the entire film. Lashana Lynch was brilliant in this film, she presents herself with a hard exterior but is able to touch into her more emotional and caring self her relationship with Thuso Mbedu's character. Their chemistry was great and one of my favorite parts about the film. The action in this film was really well done. The choreography was great, and the scope was vast. I loved how multiple shot led into each other. Although, part of me wish this had been rated R so that the fight scenes could have the blood and gore that this movie was wanting to deliver so desperately. I really feel like they had to cut even greater combat moves due to keeping the PG-13 rating. But even with that limited scope, that action delivers. There are some pacing issues, with the middle section of the movie dragging on a little too much for my tastes. The ending ramps everything back up again and delivers a great resolution that concludes the film wonderfully. **Score:** _74%_ | **Verdict:** _Good_

Viola Davis offers us a compelling and emotional performance as the general of the highly trained and deadly, all-woman, bodyguard of the King of Dahomey (John Boyega). Increasingly embroiled in the ambitions of the European slavers and, to a certain extent, complicit in that trade themselves, the Agojie must face encroaching and modernly armed soldiers of the Oyo empire. On a personal level, this great warrior clearly has demons of her own and as she is introduced to the headstrong and courageous "Nawi" (Thuso Mbedu) she sees more of herself than she anticipated. When serendipity now plays it's hand the hitherto unshakable mettle of "Nanisca" faces an whole new series of perilous and personal challenges. The cinematography is beautiful, as is the whole look of the film in general. The political and social elements of the narrative are there to be seen but any comments made about them are levelled gently and at both sides who indulge, permit, and/or profit by the activities that made many very wealthy. The action scenes, the ensemble dancing, the singing - all are excellently presented in a colourful and plausible fashion; illustrating the sophistication of this legendary African nation and the shameless brutality of those who would be the exploiters. Lashana Lynch contributes well too, as the personable and feisty "Izogie" as do Sheila Atim ("Amenza") and Sivuyile Ngesi as the nemesis general "Migan". Annoyingly, I could not quite place the "Santo" actor until I realised it was none-other than the star of the truly mediocre "After" films - Hero Fiennes Tiffin - and he adds very little. It really benefits from the big screen experience, if you can - and is well worth a watch.