

Magellan
At the dawn of the modern era, Portuguese explorer Ferdinand Magellan leads an expedition under the Spanish crown in search of the first westward route to the Spice Islands. He embarks on a perilous journey across the uncharted Pacific, where his fleet faces starvation, mutiny, and the psychological toll of endless seas. Upon reaching the shores of Cebu, Magellan is pulled into a fatal conflict with the natives by his drive to spread Catholicism, culminating in his tragic doom.
Runtime
2h 44m
Language
PT
Budget
$2.3M
Revenue
Undisclosed
Cast
Faces behind the story

Gael García Bernal
Fernão de Magalhães

Amado Arjay Babon
Enrique de Malacca

Ronnie Lazaro
Rajah Humabon

Ângela Ramos
María Caldera Beatriz Barbosa

Dario Yazbek Bernal
Duarte Barbosa
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Gallery
Frames that sell the world






Reviews
Audience signals
The real definition of every frame being a painting, it’s truly that beautiful. Magellan is one of the best historical biopic films I’ve ever seen. Shot entirely with static frames, minimal scoring, calm and quiet vibes, and cinematography that’s beautifully serene and soothing to look at. Lav Diaz also boldly portrays the dark side of colonialism and the deceit of European explorers in the past even though, as far as I know (CMIIW), the film is supported by institutions from Portugal and Spain and he conveys all of that with extraordinary beauty. This film isn’t just about recounting the past, but serves as a reminder, showing us how European explorers once tortured, colonized, plundered, and pitted Southeast Asian nations against one another. With this film, we are given a silent witness to how cruelty and human greed can destroy norms and morality.
I have never assigned a rating of 1/10 to any film until this one. For all those that have been taken by the cinematography, you have been taken for a ride. The use of a 4:3 ratio, dark, smudgy static wide shot series of 2-4 minutes takes, minimal dialog and acting does not make a great film, especially when it is slow for no reason and lasts almost 3 hours. You couldn't even see the main protagonist's face for the first 70 minutes. The net result is a ludicrous film masquerading as art, a talentless, lazy imitation of Werner Herzog's Aguirre, the Wrath of God.
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