Dracula

Sleep well, Mr. Harker. The Curse of Frankenstein was coining it in at the box office, so Hammer Films were quick to negotiate a deal to reinvent Dracula on the big screen. Certain agreements were made as per distribution rights for Universal, who owned the rights via a deal that was struck decades earlier with the Bram Stoker estate. Once all the dots were dotted and the t's were crossed, Dracula hit the screens in a whirl of sensual Technicolor bliss, where the trajectory of horror film history was shunted upwards to the point that the legacy still lives on today. Directed by Terence Fisher and adapted to screenplay by Jimmy Sangster, Dracula (AKA: Horror of Dracula) is a compact piece of horror. The Hammer team condense Stoker's novel down to an 80 minute film, quickly placing Jonathan Harker (John Van Eyssen) at Castle Dracula and establishing the vampire legend courtesy of the slick and sexy Count Dracula himself (Christopher Lee). There's no changing into bats or scaling of walls here, in fact Dracula's dialogue is very minimalist, instead he permeates the film with sexual menace, horrific suggestion and an obvious disregard for humanity, with Lee in the role simply terrific. Then it's time for Doctor Van Helsing to bring his cunning whiles to the party, which is the signal for Peter Cushing to enter the fray, who adds class and elegance to a classic role. James Bernard provides a dual score of erotic swirls and thunderous scares, while the cast play out the story in front of some impressively constructed Gothic sets, courtesy of Bernard Robinson, who like the rest of the team were working with a budget under six figures! Some nifty effects work cement the pic's status, other little touches - such as Dracula having no audible footsteps - also ensure that Hammer's Dracula remains a key vampire movie of note. A number of interesting tid-bids sit in the film's back history. How it fell into the public domain, complaints about blood transfusion advertisements in theatre foyers during its first run! Censorship and the "X" Certification afforded it in the UK, and that some of the first wave of critic reviews were positively barbed and indignant. In truth Hammer would produce far better horror films post Dracula's release, in fact this is not even the best of the Hammer Dracula movies. Yet in the pantheon of Hammer film, and horror film in general, it's a 10/10 movie. Terence Fisher deserves the final word, he would say that the shoot and production for Dracula just clicked, it all worked and everyone was in sync. 8/10